Outlaw LUTs
The Outlaw LUTs are built for footage that refuses to play it safe. Two distinctive looks designed to push your image without sacrificing quality.
Revolver brings deep greens, controlled highlights and natural skin tones together in a rich, dimensional colour palette with greater depth and presence.
Bandit goes far beyond simply desaturating your image. It shapes the underlying hues to create real separation between skin, skies and environments, delivering a bold, striking monochrome look that truly pops.
What's included
Compatibility
How To Use
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Final checkout will be processed in South African Rand (ZAR) at the current exchange rate.
revolver lut
Built around deep greens, natural skin tones, controlled highlights and greater depth in your skies.
It delivers a bold, polished cinematic palette that gives your visual more presence.
bandit lut
This LUT goes beyond just black and white. I designed it to shape the underlying hues, creating real separation between skin, skies and environments.
It gently lifts the shadows and skin tones while protecting the highlights which creates a cinematic monochrome look that actually pops.
Yes ✅ My Creative LUTs work across camera systems. That’s what makes Creative LUTs so dynamic.
If you shoot LOG, simply convert your footage to Rec.709 first, then apply the Creative LUT and adjust the intensity to taste.
Yes ✅ As long as your editing software allows you to import and apply LUTs, you’re good to go.
They work with Adobe Premiere Pro, DaVinci Resolve, Final Cut Pro, CapCut Desktop and other editing software that supports LUTs.
Sony, Canon, RED, Blackmagic, Panasonic, DJI, iPhone and plenty more. The important part is getting your footage into a normal Rec.709 colour space first, then applying the Creative LUT.
Yes ✅ All of my product downloads come with tutorials to help you get set up and show you exactly how I use them.
Yes ✅ It’s a digital product, so you’ll receive access to your download immediately after purchase.
Because they’ve genuinely become part of the visual style I’m known for. I’ve been incredibly fortunate to shoot music videos and commercial projects that have reached audiences around the world, and creators who know my work will probably recognise these looks.
They’re not just LUTs I sell. They’re looks I actually use in my own work.
tutorials included
Drop them on, dial their intensity and lock in a polished finish that works.
Included are clear, step-by-step tutorials showing you how to get the best results from your footage.
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